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4363636d DG |
1 | =head1 NAME |
2 | ||
0e6b8110 | 3 | perlepigraphs - list of Perl release epigraphs |
4363636d DG |
4 | |
5 | =head1 DESCRIPTION | |
6 | ||
0e6b8110 | 7 | Many Perl release announcements included an I<epigraph>, a short excerpt |
4363636d | 8 | from a literary or other creative work, chosen by the pumpking or |
0e6b8110 | 9 | release manager. This file assembles the known list of epigraph for |
4363636d DG |
10 | posterity. |
11 | ||
0e6b8110 DG |
12 | I<Note>: these have also been referred to as <epigrams>, but the |
13 | definition of I<epigraph> is closer to the way they have been used. | |
14 | Consult your favorite dictionary for details. | |
15 | ||
16 | =head1 EPIGRAPHS | |
4363636d | 17 | |
6b1649d0 CBW |
18 | =head2 v5.13.7 - Andy Wachowski and Lana Wachowski, 'The Matrix' |
19 | ||
20 | [Neo sees a black cat walk by them, and then a similar black cat walk by them just like the first one] | |
21 | ||
22 | Neo: Whoa. Deja vu. | |
23 | ||
24 | [Everyone freezes right in their tracks] | |
25 | ||
26 | Trinity: What did you just say? | |
27 | Neo: Nothing. Just had a little deja vu. | |
28 | Trinity: What did you see? | |
29 | Cypher: What happened? | |
30 | Neo: A black cat went past us, and then another that looked just like it. | |
31 | Trinity: How much like it? Was it the same cat? | |
32 | Neo: It might have been. I'm not sure. | |
33 | Morpheus: Switch! Apoc! | |
34 | Neo: What is it? | |
35 | Trinity: A deja vu is usually a glitch in the Matrix. It happens when they change something. | |
36 | ||
54cc2c9a TM |
37 | =head2 v5.13.6 - Haruki Murakami, "Kafka on the Shore" |
38 | ||
39 | The boy called Crow softly rests a hand on my shoulder, and with that | |
40 | he storm vanishes. | |
41 | ||
42 | "From now on -- no matter what -- you've got to be the world's toughest | |
43 | fifteen-year-old. That's the only way you're going to survive. And in order | |
44 | to do that, you've got to figure out what it means to be tough. You following | |
45 | me?" | |
46 | ||
47 | I keep my eyes closed and don't reply. I just want to sink off into sleep | |
48 | like this, his hand on my shoulder. I hear the faint flutter of wings. | |
49 | ||
50 | "You're going to be the world's toughest fifteen-year-old," Crow whispers | |
51 | as I try to fall asleep. Like he was carving the words in a deep blue tattoo | |
52 | on my heart. | |
53 | ||
54 | (Translated from Japanese by Philip Gabriel) | |
55 | ||
f6c56125 SH |
56 | =head2 v5.13.5 - Joseph Sheridan Le Fanu, "The Room in the Dragon Volant" |
57 | ||
58 | Candle in hand I stepped in. I do not know whether the quality of | |
59 | air, long undisturbed, is peculiar; to me it has always seemed so, and | |
60 | the damp smell of the old masonry hung in this atmosphere. My candle | |
61 | faintly lighted the bare stone wall that enclosed the stair, the foot | |
62 | of which I could not see. Down I went, and a few turns brought me to | |
63 | the stone floor. Here was another door, of the simple, old, oak kind, | |
64 | deep sunk in the thickness of the wall. The large end of the key | |
65 | fitted this. The lock was stiff; I set the candle down upon the | |
66 | stair, and applied both hands; it turned with difficulty, and as it | |
67 | revolved, uttered a shriek that alarmed me for my secret. | |
68 | ||
69 | For some minutes I did not move. In a little time, however, I took | |
70 | courage, and opened the door. The night-air floating in puffed out | |
71 | the candle. There was a thicket of holly and underwood, as dense as a | |
72 | jungle, close about the door. I should have been in pitch-darkness, | |
73 | were it not that through the topmost leaves there twinkled, here and | |
74 | there, a glimmer of moonshine. | |
75 | ||
76 | Softly, lest any one should have opened his window at the sound of the | |
77 | rusty bolt, I struggled through this till I gained a view of the open | |
78 | grounds. Here I found that the brushwood spread a good way up the | |
79 | park, uniting with the wood that approached the little temple I have | |
80 | described. | |
81 | ||
fdea69f9 FR |
82 | =head2 v5.13.4 - Lewis Carroll, "Alice's Adventures in Wonderland" |
83 | ||
84 | `How the creatures order one about, and make one repeat lessons!' thought Alice; | |
85 | `I might as well be at school at once.' However, she got up, and began to repeat | |
86 | it, but her head was so full of the Lobster Quadrille, that she hardly knew what | |
87 | she was saying, and the words came very queer indeed:-- | |
88 | ||
89 | "'Tis the voice of the Lobster; I heard him declare, | |
90 | "You have baked me too brown, I must sugar my hair." | |
91 | As a duck with its eyelids, so he with his nose | |
92 | Trims his belt and his buttons, and turns out his toes.' | |
93 | ||
94 | ||
95 | `That's different from what I used to say when I was a child,' said the Gryphon. | |
96 | ||
97 | `Well, I never heard it before,' said the Mock Turtle; `but it sounds uncommon | |
98 | nonsense.' | |
99 | ||
100 | Alice said nothing; she had sat down with her face in her hands, wondering if | |
101 | anything would ever happen in a natural way again. | |
102 | ||
103 | `I should like to have it explained,' said the Mock Turtle. | |
104 | ||
105 | `She can't explain it,' said the Gryphon hastily. `Go on with the next verse.' | |
106 | ||
107 | `But about his toes?' the Mock Turtle persisted. `How could he turn them out | |
108 | with his nose, you know?' | |
109 | ||
110 | `It's the first position in dancing.' Alice said; but was dreadfully puzzled by | |
111 | the whole thing, and longed to change the subject. | |
112 | ||
0feeb912 DG |
113 | =head2 v5.13.3 - Neil Gaiman and Terry Pratchett, "Good Omens" |
114 | ||
115 | Look at Crowley, doing 110 mph on the M40 heading towards | |
116 | Oxfordshire. Even the most resolutely casual observer would | |
117 | notice a number of strange things about him. The clenched teeth, | |
118 | for example, or the dull red glow coming from behind his | |
119 | sunglasses. And the car. The car was a definite hint. | |
120 | ||
121 | Crowley had started the journey in his Bentley, and he was | |
122 | dammned if he wasn't going to finish it in the Bentley as well. | |
123 | Not that even the kind of car buff who owns his own pair of | |
124 | motoring goggles would have been able to tell it was a vintage | |
125 | Bentley. Not any more. They wouldn't have been able to tell | |
126 | that it was a Bentley. They would only offer fifty-fifty that it | |
127 | had ever even been a car. | |
128 | ||
129 | There was no paint left on it, for a start. It might still have | |
130 | been black, where it wasn't a rusty, smudged reddish-brown, but | |
131 | this was a dull charcoal black. It traveled in its own ball of | |
132 | flame, like a space capsule making a particularly difficult | |
133 | re-entry. | |
134 | ||
135 | There was a thin skin of crusted, melted rubber left around the | |
136 | metal wheel rims, but seeing that the wheel rims were still | |
137 | somhow riding an inch above the road surface this didn't seem to | |
138 | make an awful lot of difference to the suspension. | |
139 | ||
140 | It should have fallen apart miles back. | |
141 | ||
3c55f444 MT |
142 | =head2 v5.13.2 - Iain M Banks, "Use of Weapons" |
143 | ||
51caa79e DG |
144 | We deal in the moral equivalent of black holes, where the normal laws - |
145 | the rules of right and wrong that people imagine apply everywhere else | |
146 | in the universe - break down; beyond those metaphysical event-horizons, | |
3c55f444 MT |
147 | there exist ... special circumstances. |
148 | ||
149 | =head2 v5.13.1 - Miguel de Unamuno, "The Sepulchre of Don Quixote" | |
d069c093 RS |
150 | |
151 | And if anyone shall come to you and say that he knows how to construct | |
152 | bridges and that perhaps a time will come when you will wish to avail | |
153 | yourself of his science in order to cross over a river, out with him! Out | |
154 | with the engineer! Rivers will be crossed by wading or swimming them, even | |
155 | if half the crusaders drown themselves. Let the engineer go off and build | |
156 | bridges somewhere else, where they are badly wanted. For those who go in | |
157 | quest of the sepulchre, faith is bridge enough. | |
158 | ||
4363636d DG |
159 | =head2 v5.13.0 - Jules Verne, "A Journey to the Centre of the Earth" |
160 | ||
4363636d DG |
161 | The heat still remained at quite a supportable degree. With an |
162 | involuntary shudder, I reflected on what the heat must have been | |
163 | when the volcano of Sneffels was pouring its smoke, flames, and | |
164 | streams of boiling lava -- all of which must have come up by the | |
165 | road we were now following. I could imagine the torrents of hot | |
166 | seething stone darting on, bubbling up with accompaniments of | |
167 | smoke, steam, and sulphurous stench! | |
168 | ||
169 | "Only to think of the consequences," I mused, "if the old | |
170 | volcano were once more to set to work." | |
171 | ||
4363636d DG |
172 | =head2 v5.12.1 - Kurt Vonnegut, "Cat's Cradle" |
173 | ||
4363636d DG |
174 | "Now suppose," chortled Dr. Breed, enjoying himself, "that there were |
175 | many possible ways in which water could crystallize, could freeze. | |
176 | Suppose that the sort of ice we skate upon and put into highballs— | |
177 | what we might call ice-one—is only one of several types of ice. | |
178 | Suppose water always froze as ice-one on Earth because it had never | |
179 | had a seed to teach it how to form ice-two, ice-three, ice-four | |
180 | ...? And suppose," he rapped on his desk with his old hand again, | |
181 | "that there were one form, which we will call ice-nine—a crystal as | |
182 | hard as this desk—with a melting point of, let us say, one-hundred | |
183 | degrees Fahrenheit, or, better still, a melting point of one-hundred- | |
184 | and-thirty degrees." | |
185 | ||
4363636d DG |
186 | =head2 v5.12.1-RC2 - Kurt Vonnegut, "Cat's Cradle" |
187 | ||
4363636d DG |
188 | San Lorenzo was fifty miles long and twenty miles wide, I learned from |
189 | the supplement to the New York Sunday Times. Its population was four | |
190 | hundred, fifty thousand souls, "...all fiercely dedicated to the ideals | |
191 | of the Free World." | |
192 | ||
193 | Its highest point, Mount McCabe, was eleven thousand feet above sea | |
194 | level. Its capital was Bolivar, "...a strikingly modern city built on a | |
195 | harbor capable of sheltering the entire United States Navy." The principal | |
196 | exports were sugar, coffee, bananas, indigo, and handcrafted novelties. | |
197 | ||
4363636d DG |
198 | =head2 v5.12.1-RC2 - Kurt Vonnegut, "Cat's Cradle" |
199 | ||
4363636d DG |
200 | Which brings me to the Bokononist concept of a wampeter. A wampeter is |
201 | the pivot of a karass. No karass is without a wampeter, Bokonon tells us, | |
202 | just as no wheel is without a hub. Anything can be a wampeter: a tree, | |
203 | a rock, an animal, an idea, a book, a melody, the Holy Grail. Whatever | |
204 | it is, the members of its karass revolve about it in the majestic chaos | |
205 | of a spiral nebula. The orbits of the members of a karass about their | |
206 | common wampeter are spiritual orbits, naturally. It is souls and not | |
207 | bodies that revolve. As Bokonon invites us to sing: | |
208 | ||
209 | Around and around and around we spin, | |
210 | With feet of lead and wings of tin . . . | |
211 | ||
4363636d DG |
212 | =head2 v5.12.0 - Lewis Carroll, "Alice's Adventures in Wonderland" |
213 | ||
4363636d DG |
214 | 'Please would you tell me,' said Alice, a little timidly, for she was |
215 | not quite sure whether it was good manners for her to speak first, 'why | |
216 | your cat grins like that?' | |
217 | ||
218 | 'It's a Cheshire cat,' said the Duchess, 'and that's why. Pig!' | |
219 | ||
220 | She said the last word with such sudden violence that Alice quite | |
221 | jumped; but she saw in another moment that it was addressed to the baby, | |
222 | and not to her, so she took courage, and went on again:-- | |
223 | ||
224 | 'I didn't know that Cheshire cats always grinned; in fact, I didn't know | |
225 | that cats COULD grin.' | |
226 | ||
227 | 'They all can,' said the Duchess; 'and most of 'em do.' | |
228 | ||
4363636d DG |
229 | =head2 v5.12.0-RC5 - Lewis Carroll, "Alice's Adventures in Wonderland" |
230 | ||
4363636d DG |
231 | 'Not QUITE right, I'm afraid,' said Alice, timidly; 'some of the words |
232 | have got altered.' | |
233 | ||
234 | 'It is wrong from beginning to end,' said the Caterpillar decidedly, and | |
235 | there was silence for some minutes. | |
236 | ||
4363636d DG |
237 | =head2 v5.12.0-RC4 - Lewis Carroll, "Alice's Adventures in Wonderland" |
238 | ||
4363636d DG |
239 | 'It was much pleasanter at home,' thought poor Alice, 'when one wasn't |
240 | always growing larger and smaller, and being ordered about by mice and | |
241 | rabbits. I almost wish I hadn't gone down that rabbit-hole--and yet--and | |
242 | yet--it's rather curious, you know, this sort of life! I do wonder what | |
243 | can have happened to me! When I used to read fairy-tales, I fancied that | |
244 | kind of thing never happened, and now here I am in the middle of one! | |
245 | ||
4363636d DG |
246 | =head2 v5.12.0-RC3 - Lewis Carroll, "Alice's Adventures in Wonderland" |
247 | ||
4363636d DG |
248 | At last the Mouse, who seemed to be a person of authority among them, |
249 | called out, 'Sit down, all of you, and listen to me! I'LL soon make you | |
250 | dry enough!' They all sat down at once, in a large ring, with the Mouse | |
251 | in the middle. Alice kept her eyes anxiously fixed on it, for she felt | |
252 | sure she would catch a bad cold if she did not get dry very soon. | |
253 | ||
254 | 'Ahem!' said the Mouse with an important air, 'are you all ready? This | |
255 | is the driest thing I know. Silence all round, if you please! "William | |
256 | the Conqueror, whose cause was favoured by the pope, was soon submitted | |
257 | to by the English, who wanted leaders, and had been of late much | |
258 | accustomed to usurpation and conquest. Edwin and Morcar, the earls of | |
259 | Mercia and Northumbria—"' | |
260 | ||
0e6b8110 | 261 | =head2 v5.12.0-RC2 - no epigraph |
4363636d | 262 | |
3e340399 | 263 | Z<> |
4363636d | 264 | |
3e340399 | 265 | =head2 v5.12.0-RC1 - Lewis Carroll, "Alice's Adventures in Wonderland" |
4363636d DG |
266 | |
267 | So she was considering in her own mind (as well as she could, for the | |
268 | hot day made her feel very sleepy and stupid), whether the pleasure of | |
269 | making a daisy-chain would be worth the trouble of getting up and | |
270 | picking the daisies, when suddenly a White Rabbit with pink eyes ran | |
271 | close by her. | |
272 | ||
273 | There was nothing so VERY remarkable in that; nor did Alice think it so | |
274 | VERY much out of the way to hear the Rabbit say to itself, 'Oh dear! Oh | |
275 | dear! I shall be late!' (when she thought it over afterwards, it | |
276 | occurred to her that she ought to have wondered at this, but at the time | |
277 | it all seemed quite natural); but when the Rabbit actually TOOK A WATCH | |
278 | OUT OF ITS WAISTCOAT-POCKET, and looked at it, and then hurried on, | |
279 | Alice started to her feet, for it flashed across her mind that she had | |
280 | never before seen a rabbit with either a waistcoat-pocket, or a watch to | |
281 | take out of it, and burning with curiosity, she ran across the field | |
282 | after it, and fortunately was just in time to see it pop down a large | |
283 | rabbit-hole under the hedge. | |
284 | ||
285 | In another moment down went Alice after it, never once considering how | |
286 | in the world she was to get out again. | |
287 | ||
0e6b8110 | 288 | =head2 v5.12.0-RC0 - no epigraph |
4363636d | 289 | |
3e340399 | 290 | Z<> |
4363636d | 291 | |
3e340399 | 292 | =head2 v5.11.5 - Samuel Taylor Coleridge, "Christabel" |
4363636d DG |
293 | |
294 | A little child, a limber elf, | |
295 | Singing, dancing to itself, | |
296 | A fairy thing with red round cheeks, | |
297 | That always finds, and never seeks, | |
298 | Makes such a vision to the sight | |
299 | As fills a father's eyes with light; | |
300 | And pleasures flow in so thick and fast | |
301 | Upon his heart, that he at last | |
302 | Must needs express his love's excess | |
303 | With words of unmeant bitterness. | |
304 | Perhaps 'tis pretty to force together | |
305 | Thoughts so all unlike each other; | |
306 | To mutter and mock a broken charm, | |
307 | To dally with wrong that does no harm. | |
308 | Perhaps 'tis tender too and pretty | |
309 | At each wild word to feel within | |
310 | A sweet recoil of love and pity. | |
311 | And what, if in a world of sin | |
312 | (O sorrow and shame should this be true!) | |
313 | Such giddiness of heart and brain | |
314 | Comes seldom save from rage and pain, | |
315 | So talks as it's most used to do. | |
316 | ||
4363636d DG |
317 | =head2 v5.11.4 - Fyodor Dostoevsky, "Crime and Punishment" |
318 | ||
4363636d DG |
319 | And you don't suppose that I went into it headlong like a fool? I went |
320 | into it like a wise man, and that was just my destruction. And you | |
321 | mustn't suppose that I didn't know, for instance, that if I began to | |
322 | question myself whether I had the right to gain power -- I certainly | |
323 | hadn't the right -- or that if I asked myself whether a human being is a | |
324 | louse it proved that it wasn't so for me, though it might be for a man | |
325 | who would go straight to his goal without asking questions.... If I | |
326 | worried myself all those days, wondering whether Napoleon would have | |
327 | done it or not, I felt clearly of course that I wasn't Napoleon. | |
328 | ||
4363636d DG |
329 | =head2 v5.11.3 - Mark Twain, "The Adventures of Tom Sawyer" |
330 | ||
4363636d DG |
331 | "Say -- I'm going in a swimming, I am. Don't you wish you could? But of |
332 | course you'd druther work—wouldn't you? Course you would!" | |
333 | ||
334 | Tom contemplated the boy a bit, and said: "What do you call work?" | |
335 | ||
336 | "Why ain't that work?" | |
337 | ||
338 | Tom resumed his whitewashing, and answered carelessly: "Well, maybe it | |
339 | is, and maybe it aint. All I know, is, it suits Tom Sawyer." | |
340 | ||
341 | "Oh come, now, you don't mean to let on that you like it?" | |
342 | ||
343 | The brush continued to move. "Like it? Well I don't see why I oughtn't | |
344 | to like it. Does a boy get a chance to whitewash a fence every day?" | |
345 | ||
346 | That put the thing in a new light. Ben stopped nibbling his apple. Tom | |
347 | swept his brush daintily back and forth -- stepped back to note the effect | |
348 | -- added a touch here and there-criticised the effect again -- Ben | |
349 | watching every move and getting more and more interested, more and more | |
350 | absorbed. Presently he said: "Say, Tom, let me whitewash a little." | |
351 | ||
4363636d DG |
352 | |
353 | =head2 v5.11.2 - Michael Marshall Smith, "Only Forward" | |
354 | ||
4363636d DG |
355 | The streets were pretty quiet, which was nice. They're always quiet here |
356 | at that time: you have to be wearing a black jacket to be out on the | |
357 | streets between seven and nine in the evening, and not many people in | |
358 | the area have black jackets. It's just one of those things. I currently | |
359 | live in Colour Neighbourhood, which is for people who are heavily into | |
360 | colour. All the streets and buildings are set for instant colourmatch: | |
361 | as you walk down the road they change hue to offset whatever you're | |
362 | wearing. When the streets are busy it's kind of intense, and anyone | |
363 | prone to epileptic seizures isn't allowed to live in the Neighbourhood, | |
364 | however much they're into colour. | |
365 | ||
4363636d DG |
366 | =head2 v5.11.1 - Joseph Heller, "Catch-22" |
367 | ||
4363636d DG |
368 | Milo had been caught red-handed in the act of plundering his countrymen, |
369 | and, as a result, his stock had never been higher. He proved good as his | |
370 | word when a rawboned major from Minnesota curled his lip in rebellious | |
371 | disavowal and demanded his share of the syndicate Milo kept saying | |
372 | everybody owned. Milo met the challenge by writing the words "A Share" | |
373 | on the nearest scrap of paper and handing it away with a virtuous disdain | |
374 | that won the envy and admiration of almost everyone who knew him. His | |
375 | glory was at a peak, and Colonel Cathcart, who knew and admired his | |
376 | war record, was astonished by the deferential humility with which Mil | |
377 | presented himself at Group Headquarters and made his fantastic appeal | |
378 | for more hazardous assignment. | |
379 | ||
4363636d DG |
380 | =head2 v5.11.0 - Mikhail Bulgakov, "The Master and Margarita" |
381 | ||
4363636d DG |
382 | Whispers of an "evil power" were heard in lines at dairy shops, in |
383 | streetcars, stores, arguments, kitchens, suburban and long-distance | |
384 | trains, at stations large and small, in dachas and on beaches. Needless | |
385 | to say, truly mature and cultured people did not tell these stories | |
386 | about an evil power's visit to the capital. In fact, they even made fun | |
387 | of them and tried to talk sense into those who told them. Nevertheless, | |
388 | facts are facts, as they say, and cannot simply be dismissed without | |
389 | explanation: somebody had visited the capital. The charred cinders of | |
390 | Griboyedov alone, and many other things besides, confirmed it. Cultured | |
391 | people shared the point of view of the investigating team: it was the | |
392 | work of a gang of hypnotists and ventriloquists magnificently skilled in | |
393 | their art. | |
394 | ||
4363636d DG |
395 | |
396 | =head2 v5.10.1 - Right Hon. James Hacker MP, "The Complete Yes Minister: The Diaries of a Cabinet Minister" | |
397 | ||
4363636d DG |
398 | 'Briefly, sir, I am the Permanent Under-Secretary of State, known as |
399 | the Permanent Secretary. Woolley here is your Principal Private | |
400 | Secretary. I, too, have a Principal Private Secretary, and he is the | |
401 | Principal Private Secretary to the Permanent Secretary. Directly | |
402 | responsible to me are ten Deputy Secretaries, eighty-seven Under | |
403 | Secretaries and two hundred and nineteen Assistant Secretaries. | |
404 | Directly responsible to the Principal Private Secretaries are plain | |
405 | Private Secretaries. The Prime Minister will be appointing two | |
406 | Parliamentary Under-Secretaries and you will be appointing your own | |
407 | Parliamentary Private Secretary.' | |
408 | ||
409 | 'Can they all type?' I joked. | |
410 | ||
411 | 'None of us can type, Minister,' replied Sir Humphrey smoothly. 'Mrs | |
412 | McKay types - she is your Secretary.' | |
413 | ||
414 | I couldn't tell whether or not he was joking. 'What a pity,' I said. | |
415 | 'We could have opened an agency.' | |
416 | ||
417 | Sir Humphrey and Bernard laughed. 'Very droll, sir,' said Sir | |
418 | Humphrey. 'Most amusing, sir,' said Bernard. Were they genuinely | |
419 | amused at my wit, or just being rather patronising? 'I suppose they | |
420 | all say that, do they?' I ventured. | |
421 | ||
422 | Sir Humphrey reassured me on that. 'Certainly not, Minister,' he | |
423 | replied. 'Not quite all.' | |
424 | ||
0e6b8110 | 425 | =head2 v5.10.1-RC2 - no epigraph |
4363636d | 426 | |
3e340399 RS |
427 | Z<> |
428 | ||
0e6b8110 | 429 | =head2 v5.10.1-RC1 - no epigraph |
4363636d | 430 | |
3e340399 | 431 | Z<> |
4363636d | 432 | |
3e340399 | 433 | =head2 v5.10.0 - Laurence Sterne, "Tristram Shandy" |
4363636d DG |
434 | |
435 | He would often declare, in speaking his thoughts upon the subject, that | |
436 | he did not conceive how the greatest family in England could stand it | |
437 | out against an uninterrupted succession of six or seven short | |
438 | noses.--And for the contrary reason, he would generally add, That it | |
439 | must be one of the greatest problems in civil life, where the same | |
440 | number of long and jolly noses, following one another in a direct line, | |
441 | did not raise and hoist it up into the best vacancies in the kingdom. | |
442 | ||
0e6b8110 | 443 | =head2 v5.10.0-RC2 - no epigraph |
4363636d | 444 | |
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445 | Z<> |
446 | ||
0e6b8110 | 447 | =head2 v5.10.0-RC1 - no epigraph |
4363636d | 448 | |
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449 | Z<> |
450 | ||
0e6b8110 | 451 | =head2 v5.9.5 - no epigraph |
4363636d | 452 | |
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453 | Z<> |
454 | ||
0e6b8110 | 455 | =head2 v5.9.4 - no epigraph |
4363636d | 456 | |
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457 | Z<> |
458 | ||
0e6b8110 | 459 | =head2 v5.9.3 - no epigraph |
4363636d | 460 | |
3e340399 | 461 | Z<> |
4363636d | 462 | |
3e340399 | 463 | =head2 v5.9.2 - Thomas Pynchon, "V" |
4363636d DG |
464 | |
465 | This word flip was weird. Every recording date of McClintic's he'd | |
466 | gotten into the habit of talking electricity with the audio men and | |
467 | technicians of the studio. McClintic once couldn't have cared less | |
468 | about electricity, but now it seemed if that was helping him reach a | |
469 | bigger audience, some digging, some who would never dig, but all | |
470 | paying and those royalties keeping the Triumph in gas and McClintic | |
471 | in J. Press suits, then McClintic ought to be grateful to | |
472 | electricity, ought maybe to learn a little more about it. So he'd | |
473 | picked up some here and there, and one day last summer he got around | |
474 | to talking stochastic music and digital computers with one | |
475 | technician. Out of the conversation had come Set/Reset, which was | |
476 | getting to be a signature for the group. He had found out from this | |
477 | sound man about a two-triode circuit called a flip-flop, which when | |
478 | it turned on could be one of two ways, depending on which tube was | |
479 | conducting and which was cut off: set or reset, flip or flop. | |
480 | ||
481 | "And that," the man said, "can be yes or no, or one or zero. And | |
482 | that is what you might call one of the basic units, or specialized | |
483 | `cells' in a big `electronic brain.' " | |
484 | ||
485 | "Crazy," said McClintic, having lost him back there someplace. But | |
486 | one thing that did occur to him was if a computer's brain could go | |
487 | flip or flop, why so could a musician's. As long as you were flop, | |
488 | everything was cool. But where did the trigger-pulse come from to | |
489 | make you flip? | |
490 | ||
4363636d DG |
491 | =head2 v5.9.1 - Tom Stoppard, "Arcadia" |
492 | ||
4363636d DG |
493 | Aren't you supposed to have a pony? |
494 | ||
4363636d DG |
495 | =head2 v5.9.0 - Doris Lessing, "Martha Quest" |
496 | ||
4363636d DG |
497 | What of October, that ambiguous month |
498 | ||
4363636d DG |
499 | =head2 v5.8.9 - Right Hon. James Hacker MP, "The Complete Yes Minister: The Diaries of a Cabinet Minister" |
500 | ||
4363636d DG |
501 | Frank and I, unlike the civil servants, were still puzzled that such a |
502 | proposal as the Europass could even be seriously under consideration by | |
503 | the FCO. We can both see clearly that it is wonderful ammunition for the | |
504 | anti-Europeans. I asked Humphrey if the Foreign Office doesn't realise | |
505 | how damaging this would be to the European ideal? | |
506 | ||
507 | 'I'm sure they do, Minister, he said. That's why they support it.' | |
508 | ||
509 | This was even more puzzling, since I'd always been under the impression | |
510 | that the FO is pro-Europe. 'Is it or isn't it?' I asked Humphrey. | |
511 | ||
512 | 'Yes and no,' he replied of course, 'if you'll pardon the | |
513 | expression. The Foreign Office is pro-Europe because it is really | |
514 | anti-Europe. In fact the Civil Service was united in its desire to make | |
515 | sure the Common Market didn't work. That's why we went into it.' | |
516 | ||
517 | This sounded like a riddle to me. I asked him to explain further. And | |
518 | basically his argument was as follows: Britain has had the same foreign | |
519 | policy objective for at least the last five hundred years - to create a | |
520 | disunited Europe. In that cause we have fought with the Dutch against | |
521 | the Spanish, with the Germans against the French, with the French and | |
522 | Italians against the Germans, and with the French against the Italians | |
523 | and Germans. [The Dutch rebellion against Phillip II of Spain, the | |
524 | Napoleonic Wars, the First World War, and the Second World War - Ed.] | |
525 | ||
526 | In other words, divide and rule. And the Foreign Office can see no | |
527 | reason to change when it has worked so well until now. | |
528 | ||
529 | I was aware of this, naturally, but I regarded it as ancient history. | |
530 | Humphrey thinks that it is, in fact, current policy. It was necessary | |
531 | for us to break up the EEC, he explained, so we had to get inside. We | |
532 | had previously tried to break it up from the outside, but that didn't | |
533 | work. [A reference to our futile and short-lived involvement in EFTA, | |
534 | the European Free Trade Association, founded in 1960 and which the UK | |
535 | left in 1972 - Ed.] Now that we're in, we are able to make a complete | |
536 | pig's breakfast out of it. We've now set the Germans against the French, | |
537 | the French against the Italians, the Italians against the Dutch... and | |
538 | the Foreign office is terribly happy. It's just like old time. | |
539 | ||
540 | I was staggered by all of this. I thought that the all of us who are | |
541 | publicly pro-European believed in the European ideal. I said this to Sir | |
542 | Humphrey, and he simply chuckled. | |
543 | ||
544 | So I asked him: if we don't believe in the European Ideal, why are we | |
545 | pushing to increase the membership? | |
546 | ||
547 | 'Same reason,' came the reply. 'It's just like the United Nations. The | |
548 | more members it has, the more arguments you can stir up, and the more | |
549 | futile and impotent it becomes.' | |
550 | ||
551 | This all strikes me as the most appalling cynicism, and I said so. | |
552 | ||
553 | Sir Humphrey agreed completely. 'Yes Minister. We call it | |
554 | diplomacy. It's what made Britain great, you know.' | |
555 | ||
4363636d DG |
556 | =head2 v5.8.9-RC2 - Right Hon. James Hacker MP, "The Complete Yes Minister: The Diaries of a Cabinet Minister" |
557 | ||
4363636d DG |
558 | There was silence in the office. I didn't know what we were going to do |
559 | about the four hundred new people supervising our economy drive or the | |
560 | four hundred new people for the Bureaucratic Watchdog Office, or | |
561 | anything! I simply sat and waited and hoped that my head would stop | |
562 | thumping and that some idea would be suggested by someone sometime soon. | |
563 | ||
564 | Sir Humphrey obliged. 'Minister... if we were to end the economy drive | |
565 | and close the Bureaucratic Watchdog Office we could issue an immediate | |
566 | press announcement that you had axed eight hundred jobs.' He had | |
567 | obviously thought this out carefully in advance, for at this moment he | |
568 | produced a slim folder from under his arm. 'If you'd like to approve | |
569 | this draft...' | |
570 | ||
571 | I couldn't believe the impertinence of the suggestion. Axed eight | |
572 | hundred jobs? 'But no one was ever doing these jobs,' I pointed out | |
573 | incredulously. 'No one's been appointed yet.' | |
574 | ||
575 | 'Even greater economy,' he replied instantly. 'We've saved eight hundred | |
576 | redundancy payments as well.' | |
577 | ||
578 | 'But...' I attempted to explain '... that's just phony. It's dishonest, | |
579 | it's juggling with figures, it's pulling the wool over people's eyes.' | |
580 | ||
581 | 'A government press release, in fact.' said Humphrey. | |
582 | ||
4363636d DG |
583 | =head2 v5.8.9-RC1 - Right Hon. James Hacker MP, "The Complete Yes Minister: The Diaries of a Cabinet Minister" |
584 | ||
4363636d DG |
585 | A jumbo jet touched down, with BURANDAN AIRWAYS written on the side. I |
586 | was hugely impressed. British Airways are having to pawn their Concordes, | |
587 | and here is this little tiny African state with its own airline, jumbo | |
588 | jets and all. | |
589 | ||
590 | I asked Bernard how many planes Burandan Airways had. 'None,' he said. | |
591 | ||
592 | I told him not to be silly and use his eyes. 'No Minister, it belongs to | |
593 | Freddie Laker,' he said. 'They chartered it last week and repainted it | |
594 | specially.' Apparently most of the Have-Nots (I mean, LDCs) do this - at | |
595 | the opening of the UN General Assembly the runways of Kennedy Airport are | |
596 | jam-packed with phoney flag-carriers. 'In fact,' said Bernard with a sly | |
597 | grin, 'there was one 747 that belonged to nine different African airlines | |
598 | in a month. They called it the mumbo-jumbo.' | |
599 | ||
600 | While we watched nothing much happening on the TV except the mumbo-jumbo | |
601 | taxiing around Prestwick and the Queen looking a bit chilly, Bernard gave | |
602 | me the next day's schedule and explained that I was booked on the night | |
603 | sleeper from King's Cross to Edinburgh because I had to vote in a | |
604 | three-line whip at the House tonight and would have to miss the last | |
605 | plane. Then the commentator, in that special hushed BBC voice used for any | |
606 | occasion with which Royalty is connected, announced reverentially that we | |
607 | were about to catch our first glimpse of President Selim. | |
608 | ||
609 | And out of the plane stepped Charlie. My old friend Charlie Umtali. We | |
610 | were at LSE together. Not Selim Mohammed at all, but Charlie. | |
611 | ||
612 | Bernard asked me if I were sure. Silly question. How could you forget a | |
613 | name like Charlie Umtali? | |
614 | ||
615 | I sent Bernard for Sir Humphrey, who was delighted to hear that we now | |
616 | know something about our official visitor. | |
617 | ||
618 | Bernard's official brief said nothing. Amazing! Amazing how little the FCO | |
619 | has been able to find out. Perhaps they were hoping it would all be on the | |
620 | car radio. All the brief says is that Colonel Selim Mohammed had converted | |
621 | to Islam some years ago, they didn't know his original name, and therefore | |
622 | knew little of his background. | |
623 | ||
624 | I was able to tell Humphrey and Bernard /all/ about his background. | |
625 | Charlie was a red-hot political economist, I informed them. Got the top | |
626 | first. Wiped the floor with everyone. | |
627 | ||
628 | Bernard seemed relieved. 'Well that's all right then.' | |
629 | ||
630 | 'Why?' I enquired. | |
631 | ||
632 | 'I think Bernard means,' said Sir Humphrey helpfully, 'that he'll know how | |
633 | to behave if he was at an English University. Even if it was the LSE.' I | |
634 | never know whether or not Humphrey is insulting me intentionally. | |
635 | ||
636 | Humphrey was concerned about Charlie's political colour. 'When you said | |
637 | that he was red-hot, were you speaking politically?' | |
638 | ||
639 | In a way I was. 'The thing about Charlie is that you never quite know | |
640 | where you are with him. He's the sort of chap who follows you into a | |
641 | revolving door and comes out in front.' | |
642 | ||
643 | 'No deeply held convictions?' asked Sir Humphrey. | |
644 | ||
645 | 'No. The only thing Charlie was committed too was Charlie.' | |
646 | ||
647 | 'Ah, I see. A politician, Minister.' | |
648 | ||
4363636d DG |
649 | =head2 v5.8.8 - Joe Raposo, "Bein' Green" |
650 | ||
51caa79e DG |
651 | It's not that easy bein' green |
652 | Having to spend each day the color of the leaves | |
4363636d | 653 | When I think it could be nicer being red or yellow or gold |
51caa79e DG |
654 | Or something much more colorful like that |
655 | ||
656 | It's not easy bein' green | |
4363636d | 657 | It seems you blend in with so many other ordinary things |
51caa79e DG |
658 | And people tend to pass you over 'cause you're |
659 | Not standing out like flashy sparkles in the water | |
660 | Or stars in the sky | |
661 | ||
662 | But green's the color of Spring | |
663 | And green can be cool and friendly-like | |
664 | And green can be big like an ocean | |
665 | Or important like a mountain | |
4363636d DG |
666 | Or tall like a tree |
667 | ||
668 | When green is all there is to be | |
669 | It could make you wonder why, but why wonder why? | |
670 | Wonder I am green and it'll do fine, it's beautiful | |
671 | And I think it's what I want to be | |
672 | ||
4363636d DG |
673 | =head2 v5.8.8-RC1 - Cosgrove Hall Productions, "Dangermouse" |
674 | ||
51caa79e DG |
675 | Greenback: And the world is mine, all mine. Muhahahahaha. See to it! |
676 | ||
677 | Stiletto: Si, Barone. Subito, Barone. | |
4363636d | 678 | |
4363636d DG |
679 | =head2 v5.8.7 - Sergei Prokofiev, "Peter and the Wolf" |
680 | ||
4363636d DG |
681 | And now, imagine the triumphant procession: Peter at the head; after him the |
682 | hunters leading the wolf; and winding up the procession, grandfather and the | |
683 | cat. | |
684 | ||
685 | Grandfather shook his head discontentedly: "Well, and if Peter hadn't caught | |
51caa79e | 686 | the wolf? What then?" |
4363636d | 687 | |
4363636d DG |
688 | =head2 v5.8.7-RC1 - Sergei Prokofiev, "Peter and the Wolf" |
689 | ||
4363636d DG |
690 | And now this is how things stood: The cat was sitting on one branch. The |
691 | bird on another, not too close to the cat. And the wolf walked round and | |
692 | round the tree, looking at them with greedy eyes. | |
693 | ||
694 | In the meantime, Peter, without the slightest fear, stood behind the | |
695 | gate, watching all that was going on. He ran home,got a strong rope and | |
696 | climbed up the high stone wall. | |
697 | ||
698 | One of the branches of the tree, around which the wolf was walking, | |
699 | stretched out over the wall. | |
700 | ||
701 | Grabbing hold of the branch, Peter lightly climbed over on to the tree. | |
702 | Peter said to the bird: "Fly down and circle round the wolf's head, only | |
703 | take care that he doesn't catch you!". | |
704 | ||
705 | The bird almost touched the wolf's head with its wings, while the wolf | |
706 | snapped angrily at him from this side and that. | |
707 | ||
708 | How that bird teased the wolf, how that wolf wanted to catch him! But | |
51caa79e | 709 | the bird was clever and the wolf simply couldn't do anything about it. |
4363636d | 710 | |
4363636d DG |
711 | =head2 v5.8.6 - A. A. Milne, "The House at Pooh Corner" |
712 | ||
4363636d | 713 | "Hallo, Pooh," said Piglet, giving a jump of surprise. "I knew it was |
51caa79e | 714 | you." |
4363636d | 715 | |
51caa79e | 716 | "So did I,", said Pooh. "What are you doing?" |
4363636d DG |
717 | |
718 | "I'm planting a haycorn, Pooh, so that it can grow up into an oak-tree, | |
719 | and have lots of haycorns just outside the front door instead of having | |
51caa79e | 720 | to walk miles and miles, do you see, Pooh?" |
4363636d | 721 | |
51caa79e | 722 | "Supposing it doesn't?" said Pooh. |
4363636d DG |
723 | |
724 | "It will, because Christopher Robin says it will, so that's why I'm | |
725 | planting it." | |
726 | ||
727 | "Well," aid Pooh, "if I plant a honeycomb outside my house, then it will | |
51caa79e | 728 | grow up into a beehive." |
4363636d | 729 | |
51caa79e | 730 | Piglet wasn't quite sure about this. |
4363636d DG |
731 | |
732 | "Or a /piece/ of a honeycomb," said Pooh, "so as not to waste too much. | |
733 | Only then I might only get a piece of a beehive, and it might be the | |
51caa79e | 734 | wrong piece, where the bees were buzzing and not hunnying. Bother" |
4363636d | 735 | |
51caa79e | 736 | Piglet agreed that that would be rather bothering. |
4363636d DG |
737 | |
738 | "Besides, Pooh, it's a very difficult thing, planting unless you know | |
739 | how to do it," he said; and he put the acorn in the hole he had made, | |
51caa79e | 740 | and covered it up with earth, and jumped on it. |
4363636d | 741 | |
4363636d DG |
742 | =head2 v5.8.6-RC1 - A. A. Milne, "Winnie the Pooh" |
743 | ||
4363636d DG |
744 | "Hallo!" said Piglet, "whare are /you/ doing?" |
745 | ||
746 | "Hunting," said Pooh. | |
747 | ||
748 | "Hunting what?" | |
749 | ||
750 | "Tracking something," said Winnie-the-Pooh very mysteriously. | |
751 | ||
752 | "Tracking what?" said Piglet, coming closer. | |
753 | ||
754 | "That's just what I ask myself, I ask myself, What?" | |
755 | ||
756 | "What do you think you'll answer?" | |
757 | ||
758 | "I shall have to wait until I catch up with it," said Winnie-the-Pooh. | |
759 | "Now, look there." He pointed to the ground in front of him. "What do | |
760 | you see there?" | |
761 | ||
762 | "Track," said Piglet. "Paw-marks." He gave a little squeak of | |
763 | excitement. "Oh, Pooh!" Do you think it's a--a--a Woozle?" | |
764 | ||
4363636d DG |
765 | =head2 v5.8.5 - wikipedia, "Yew" |
766 | ||
4363636d DG |
767 | Yews are relatively slow growing trees, widely used in landscaping and |
768 | ornamental horticulture. They have flat, dark-green needles, reddish | |
769 | bark, and bear seeds with red arils, which are eaten by thrushes, | |
770 | waxwings and other birds, dispersing the hard seeds undamaged in their | |
771 | droppings. Yew wood is reddish brown (with white sapwood), and very | |
772 | hard. It was traditionally used to make bows, especially the English | |
773 | longbow. | |
774 | ||
775 | In England, the Common Yew (Taxus baccata, also known as English Yew) is | |
776 | often found in churchyards. It is sometimes suggested that these are | |
777 | placed there as a symbol of long life or trees of death, and some are | |
778 | likely to be over 3,000 years old. It is also suggested that yew trees | |
779 | may have a pre-Christian association with old pagan holy sites, and the | |
780 | Christian church found it expedient to use and take over existing sites. | |
781 | Another explanation is that the poisonous berries and foliage discourage | |
782 | farmers and drovers from letting their animals wander into the burial | |
783 | grounds. The yew tree is a frequent symbol in the Christian poetry of | |
51caa79e | 784 | T.S. Eliot, especially his Four Quartets. |
4363636d | 785 | |
4363636d DG |
786 | =head2 v5.8.5-RC2 - wikipedia, "Beech" |
787 | ||
4363636d DG |
788 | Beeches are trees of the Genus Fagus, family Fagaceae, including about |
789 | ten species in Europe, Asia, and North America. The leaves are entire or | |
790 | sparsely toothed. The fruit is a small, sharply-angled nut, borne in | |
791 | pairs in spiny husks. The beech most commonly grown as an ornamental or | |
792 | shade tree is the European beech (Fagus sylvatica). | |
793 | ||
794 | The southern beeches belong to a different but related genus, | |
795 | Nothofagus. They are found in Australia, New Zealand, New Guinea, New | |
51caa79e | 796 | Caledonia and South America. |
4363636d | 797 | |
4363636d DG |
798 | =head2 v5.8.5-RC1 - wikipedia, "Pedunculate Oak" (abridged) |
799 | ||
4363636d DG |
800 | The Pedunculate Oak is called the Common Oak in Britain, and is also |
801 | often called the English Oak in other English speaking countries It is a | |
802 | large deciduous tree to 25-35m tall (exceptionally to 40m), with lobed | |
803 | and sessile (stalk-less) leaves. Flowering takes place in early to mid | |
804 | spring, and their fruit, called "acorns", ripen by autumn of the same | |
805 | year. The acorns are pedunculate (having a peduncle or acorn-stalk) and | |
806 | may occur singly, or several acorns may occur on a stalk. | |
807 | ||
808 | It forms a long-lived tree, with a large widespreading head of rugged | |
809 | branches. While it may naturally live to an age of a few centuries, many | |
810 | of the oldest trees are pollarded or coppiced, both pruning techniques | |
811 | that extend the tree's potential lifespan, if not its health. | |
812 | ||
813 | Within its native range it is valued for its importance to insects and | |
814 | other wildlife. Numerous insects live on the leaves, buds, and in the | |
815 | acorns. The acorns form a valuable food resource for several small | |
816 | mammals and some birds, notably Jays Garrulus glandarius. | |
817 | ||
818 | It is planted for forestry, and produces a long-lasting and durable | |
51caa79e | 819 | heartwood, much in demand for interior and furniture work. |
4363636d | 820 | |
4363636d DG |
821 | =head2 v5.8.4 - T. S. Eliot, "The Old Gumbie Cat" |
822 | ||
4363636d DG |
823 | I have a Gumbie Cat in mind, her name is Jennyanydots; |
824 | The curtain-cord she likes to wind, and tie it into sailor-knots. | |
825 | She sits upon the window-sill, or anything that's smooth and flat: | |
826 | She sits and sits and sits and sits -- and that's what makes a Gumbie Cat! | |
827 | ||
828 | But when the day's hustle and bustle is done, | |
829 | Then the Gumbie Cat's work is but hardly begun. | |
830 | She thinks that the cockroaches just need employment | |
831 | To prevent them from idle and wanton destroyment. | |
832 | So she's formed, from that a lot of disorderly louts, | |
833 | A troop of well-disciplined helpful boy-scouts, | |
834 | With a purpose in life and a good deed to do-- | |
835 | And she's even created a Beetles' Tattoo. | |
836 | ||
4363636d DG |
837 | So for Old Gumbie Cats let us now give three cheers -- |
838 | On whom well-ordered households depend, it appears. | |
839 | ||
4363636d DG |
840 | |
841 | =head2 v5.8.4-RC2 - T. S. Eliot, "Macavity: The Mystery Cat" | |
842 | ||
4363636d DG |
843 | Macavity's a Mystery Cat: he's called the Hidden Paw -- |
844 | For he's the master criminal who can defy the Law. | |
845 | He's the bafflement of Scotland Yard, the Flying Squad's despair: | |
846 | For when they reach the scene of crime -- /Macavity's not there/! | |
847 | ||
848 | Macavity, Macavity, there's no one like Macavity, | |
849 | He's broken every human law, he breaks the law of gravity. | |
850 | His powers of levitation would make a fakir stare, | |
851 | And when you reach the scene of crime -- /Macavity's not there/! | |
852 | You may seek him in the basement, you may look up in the air -- | |
853 | But I tell you once and once again, /Macavity's not there/! | |
854 | ||
4363636d DG |
855 | =head2 v5.8.4-RC1 - T. S. Eliot, "Skimbleshanks: The Railway Cat" |
856 | ||
4363636d DG |
857 | There's a whisper down the line at 11.39 |
858 | When the Night Mail's ready to depart, | |
859 | Saying 'Skimble where is Skimble has he gone to hunt the thimble? | |
860 | We must find him of the train can't start.' | |
861 | All the guards and all the porters and the stationmaster's daughters | |
862 | They are searching high and low, | |
863 | Saying 'Skimble where is Skimble for unless he's very nimble | |
864 | Then the Night Mail just can't go' | |
865 | At 11.42 then the signal's overdue | |
866 | And the passengers are frantic to a man-- | |
867 | Then Skimble will appear and he'll saunter to the rear: | |
868 | He's been busy in the luggage van! | |
869 | He gives one flash of his glass-green eyes | |
870 | And the the signal goes 'All Clear!' | |
871 | And we're off at last of the northern part | |
872 | Of the Northern Hemisphere! | |
873 | ||
4363636d DG |
874 | =head2 v5.8.3 - Arthur William Edgar O'Shaugnessy, "Ode" |
875 | ||
51caa79e DG |
876 | We are the music makers, |
877 | And we are the dreamers of dreams, | |
878 | Wandering by lonely sea-breakers, | |
879 | And sitting by desolate streams; -- | |
880 | World-losers and world-forsakers, | |
881 | On whom the pale moon gleams: | |
882 | Yet we are the movers and shakers | |
883 | Of the world for ever, it seems. | |
4363636d | 884 | |
4363636d DG |
885 | =head2 v5.8.3-RC1 - Irving Berlin, "Let's Face the Music and Dance" |
886 | ||
4363636d DG |
887 | There may be trouble ahead, |
888 | But while there's music and moonlight, | |
889 | And love and romance, | |
890 | Let's face the music and dance. | |
891 | ||
892 | Before the fiddlers have fled, | |
893 | Before they ask us to pay the bill, | |
894 | And while we still have that chance, | |
895 | Let's face the music and dance. | |
896 | ||
897 | Soon, we'll be without the moon, | |
898 | Humming a different tune, and then, | |
899 | ||
900 | There may be teardrops to shed, | |
901 | So while there's music and moonlight, | |
902 | And love and romance, | |
903 | Let's face the music and dance. | |
904 | ||
4363636d DG |
905 | =head2 v5.8.2 - Walt Whitman, "Passage to India" |
906 | ||
4363636d DG |
907 | Passage, immediate passage! the blood burns in my veins! |
908 | Away O soul! hoist instantly the anchor! | |
909 | Cut the hawsers - hall out - shake out every sail! | |
910 | Have we not stood here like trees in the ground long enough? | |
911 | Have we not grovel'd here long enough, eating and drinking like mere brutes? | |
912 | Have we not darken'd and dazed ourselves with books long enough? | |
913 | ||
4363636d DG |
914 | Sail forth - steer for the deep waters only, |
915 | Reckless O soul, exploring, I with the and thou with me, | |
916 | For we are bound where mariner has not yet dared to go, | |
917 | And we will risk the ship, ourselves and all. | |
918 | ||
919 | O my brave soul! | |
920 | O farther farther sail! | |
921 | O daring job, but safe! are they not all the seas of God? | |
922 | O farther, farther, farther sail! | |
923 | ||
4363636d DG |
924 | =head2 v5.8.2-RC2 - Eric Idle/John Du Prez, "Accountancy Shanty" |
925 | ||
4363636d DG |
926 | It's fun to charter an accountant |
927 | And sail the wide accountan-cy, | |
928 | To find, explore the funds offshore | |
929 | And skirt the shoals of bankruptcy. | |
930 | ||
4363636d DG |
931 | =head2 v5.8.2-RC1 - Edward Lear, "The Jumblies" |
932 | ||
4363636d DG |
933 | They went to sea in a Sieve, they did, |
934 | In a Sieve they went to sea: | |
935 | In spite of all their friends could say, | |
936 | On a winter's morn, on a stormy day, | |
937 | In a Sieve they went to sea! | |
938 | And when the Sieve turned round and round, | |
939 | And everyone cried, "You'll all be drowned!" | |
940 | They cried aloud, "Our Sieve ain't big, | |
941 | But we don't care a button, we don't care a fig! | |
942 | In a Sieve we'll go to sea!" | |
943 | ||
944 | Far and few, far and few, | |
945 | Are the lands where the Jumblies live; | |
946 | Their heads are green, and their hands are blue, | |
947 | And they went to sea in a Sieve. | |
948 | ||
4363636d DG |
949 | =head2 v5.8.1 - Terry Pratchett, "The Color of Magic" |
950 | ||
4363636d DG |
951 | "What happens next?" asked Twoflower. |
952 | ||
953 | Hrun screwed a finger in his ear and inspected it absently. | |
954 | ||
955 | "Oh,", he said, "I expect in a minute the door will be | |
956 | flung back and I'll be dragged off to some sort of temple | |
957 | arena where I'll fight maybe a couple of giant spiders | |
958 | and an eight-foot slave from the jungles of Klatch and then | |
959 | I'll rescue some kind of a princess from the altar and then | |
960 | I'll kill off a few guards or whatever and then this girl | |
961 | will show me the secret passage out of the place and we'll | |
962 | liberate a couple of horses and escape with the treasure." | |
963 | Hrun leaned his head back on his hands and looked at the | |
964 | ceiling, whistling tunelessly. | |
965 | ||
966 | "All that?" said Twoflower. | |
967 | ||
968 | "Usually." | |
969 | ||
4363636d DG |
970 | =head2 v5.8.1-RC5 - Terry Pratchett, "Lords and Ladies" |
971 | ||
4363636d DG |
972 | No matter what she did with her hair it took about |
973 | three minutes for it to tangle itself up again, | |
974 | like a garden hosepipe in a shed [Footnote: Which, | |
975 | no matter how carefully coiled, will always uncoil | |
976 | overnight and tie the lawnmower to the bicycles]. | |
977 | ||
4363636d DG |
978 | =head2 v5.6.2 - Sterne, "Tristram Shandy" |
979 | ||
4363636d DG |
980 | When great or unexpected events fall out upon the stage of this |
981 | sublunary word--the mind of man, which is an inquisitive kind of | |
982 | a substance, naturally takes a flight, behind the scenes, to see | |
983 | what is the cause and first spring of them--The search was not | |
984 | long in this instance. | |
985 | ||
4363636d DG |
986 | =head2 v5.6.2-RC1 - Sterne, "Tristram Shandy" |
987 | ||
51caa79e | 988 | "Pray, my dear", quoth my mother, "have you not forgot to wind up the clock?" |
4363636d | 989 | |
0e6b8110 | 990 | =head2 5.005_05-RC1 - no epigraph |
4363636d | 991 | |
3e340399 RS |
992 | Z<> |
993 | ||
0e6b8110 | 994 | =head2 5.005_04 - no epigraph |
4363636d | 995 | |
3e340399 | 996 | Z<> |
4363636d | 997 | |
3e340399 | 998 | =head2 5.005_04-RC2 - Rudyard Kipling, "The Jungle Book" |
4363636d DG |
999 | |
1000 | The monkeys called the place their city, and pretended to despise | |
1001 | the Jungle-People because they lived in the forest. And yet they | |
1002 | never knew what the buildings were made for nor how to use | |
1003 | them. They would sit in circles on the hall of the king's council | |
1004 | chamber, and scratch for fleas and pretend to be men; or they would | |
1005 | run in and out of the roofless houses and collect pieces of plaster | |
1006 | and old bricks in a corner, and forget where they had hidden them, | |
1007 | and fight and cry in scuffling crowds, and then break off to play up | |
1008 | and down the terraces of the king's garden, where they would shake | |
1009 | the rose trees and the oranges in sport to see the fruit and flowers | |
1010 | fall. | |
1011 | ||
4363636d DG |
1012 | =head2 5.005_04-RC1 - Lewis Carroll, "Alice's Adventures in Wonderland" |
1013 | ||
4363636d DG |
1014 | Either the well was very deep, or she fell very slowly, for she had |
1015 | plenty of time as she went down to look about her and to wonder what was | |
1016 | going to happen next. First, she tried to look down and make out what | |
1017 | she was coming to, but it was too dark to see anything; then she looked | |
1018 | at the sides of the well, and noticed that they were filled with | |
1019 | cupboards and book-shelves; here and there she saw maps and pictures | |
1020 | hung upon pegs. She took down a jar from one of the shelves as she | |
1021 | passed; it was labelled 'ORANGE MARMALADE', but to her great | |
1022 | disappointment it was empty: she did not like to drop the jar for fear | |
1023 | of killing somebody, so managed to put it into one of the cupboards as | |
51caa79e | 1024 | she fell past it. |
4363636d | 1025 | |
4363636d DG |
1026 | =head1 ACKNOWLEDGEMENTS |
1027 | ||
0e6b8110 | 1028 | This document was originally compiled based on a list of epigraphs |
4363636d DG |
1029 | on L<Perl Monks|http://perlmonks.org> titled |
1030 | L<Recent Perl Release Announcement|http://perlmonks.org/?node_id=372406> | |
1031 | by ysth. | |
1032 | ||
1033 | =cut | |
3e340399 | 1034 | |
4363636d | 1035 | # vim:tw=72: |